Home Entertainment Lily Collins is supported by husband Charlie McDowell following her latest perfomance in West End play Barcelona – after the show failed to impress critics

Lily Collins is supported by husband Charlie McDowell following her latest perfomance in West End play Barcelona – after the show failed to impress critics

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Lily Collins, 35, was supported by her husband Charlie McDowell, 41, as she left London's Duke Of York Theater after her final performance in the West End play Barcelona on Thursday.

Lily Collins had the support of her husband Charlie McDowell as she left London’s Duke Of York Theater after her final performance in the play Barcelona on Thursday.

The Emily In Paris star, 35, who made her West End debut in the show, bundled up in an oversized teddy bear coat and scarf as she stopped to sign autographs.

Still sporting her glamorous stage makeup, Lily was also wearing a gray baseball cap and seemed to be in great spirits as she flashed a big smile.

Meanwhile, film director Charlie, 41, who married the actress in 2021, wore an orange quilted jacket and knitted hat as he carried his beloved wife’s bags.

The play, starring Emily as a woman who embarks on a one-night stand during a bachelorette party in the Catalan capital, has so far failed to impress critics, with the independent joking: “Emily should have stayed in Paris.”

Lily Collins, 35, was supported by her husband Charlie McDowell, 41, as she left London’s Duke Of York Theater after her final performance in the West End play Barcelona on Thursday.

The Emily In Paris star, who made her West End debut in the show, stopped to sign autographs.

The Emily In Paris star, who made her West End debut in the show, stopped to sign autographs.

Annabel Nugent wrote of Two Hander, in which she stars alongside Money Heist’s Alvaro Morte: “The Emily in Paris star makes her West End debut in a play about another American abroad, but its contrived plot means this story of two unhappy strangers fails to deliver an emotional impact.

While Tom Wicker said in his two reviews in the The scenario: “Emily in Paris’s Lily Collins makes her West End debut in this contrived, cliché-ridden play.”

Meanwhile the guardianChris Wiegand, who also awarded two stars, called the work “awkward” and “curiously flat.”

Lily and Álvaro star in the West End show for 12 weeks until January 11, 2025.

Before making her debut in the play last month, Lily told the Telegraph: ‘I think one of the first things I said to you (Álvaro) was: “Okay, I just want to be very honest, I’ve never done this.”

“I’m very excited, but I’m also terrified, at best, and I want you to know that there will be times when I will be stressed, anxious, nervous,… I’m going to doubt myself.”

Barcelona aims to keep the audience guessing and exploring the fantasy of who we pretend to be versus the truth of who we are.

Set in 2009, late at night in Barcelona, ​​an American tourist (Lily) returns home with a handsome Spaniard (Álvaro).

Lily bundled up in an oversized teddy bear coat and a scarf which she layered over a brown tracksuit.

Lily bundled up in an oversized teddy bear coat and a scarf which she layered over a brown tracksuit.

Lily bundled up in an oversized teddy bear coat and scarf which she layered over a brown tracksuit and sneakers.

The actress climbed into the back of her chauffeur-driven car.

The actress climbed into the back of her chauffeur-driven car.

The play, starring Emily as a woman who embarks on a one-night stand during a bachelorette party in the Catalan capital, has so far failed to impress critics.

The play, starring Emily as a woman who embarks on a one-night stand during a bachelorette party in the Catalan capital, has so far failed to impress critics.

The play is for two players and stars Emily alongside Álvaro Morte from Money Heist.

The play is for two players and stars Emily alongside Álvaro Morte from Money Heist.

The Spanish actor also prepared for the cold by meeting his fans outside the theater.

The Spanish actor also prepared for the cold by meeting his fans outside the theater.

One critic joked:

One critic joked: “Emily should have stayed in Paris” (Lily pictured during a curtain call last month)

What begins as a carefree one-night stand turns into a high-stakes clash of intentions and desires, as the personal and the political intertwine.

Lily and Charlie celebrated their third wedding anniversary in September and the stunner shared a tribute to him in a gushing Instagram post.

‘Happy anniversary to the man who makes me laugh more than anyone. Three years in your arms has been the greatest gift,’ the actress wrote.

‘Naked and wearing a basic t-shirt, you make me feel like the most special human being on the planet. I adore you @charliemcdowell. More than I know how to say.

‘Here’s to countless amazing moments together (plus twinning photoshoots). And to think that the best is yet to come…’ he said at the end of the meaningful post.’

Barcelona: What do the critics say?

daily mail

At just 100 minutes long, the play takes too long to make us care about these two characters. But as the plot finally thickens and they both reveal their much more interesting selves, we finally get involved… and get more and more tense.

‘Barcelona is not perfect: too much is told and too little is shown. But it becomes a play about learning to live again when you think it’s all over.

the guardian

Classification:

‘The stars of Emily in Paris and Money Heist team up for a curiously flat drama that mixes suspense, comedy and politics’

“But in Lynette Linton’s production neither the suspense nor the humor hit the mark, the mix often being more uncomfortable than disturbing. The largest of a handful of plot revelations lacks emotional impact and sheds no light on earlier events but instead makes them distractingly implausible.’

the independent

Classification:

The ‘Emily in Paris’ star makes her West End debut in a play about another American abroad, but its contrived plot means this story of two unhappy strangers fails to make an emotional impact.

Moments intended as gut punches land with a feather-light touch; The monologues are heavy on exposition but lack the emotional scaffolding needed to support them. When the sun rises and Manuel finally confides his terrible secret to Irene, it is too late to care.

The stage

Classification:

Emily in Paris’s Lily Collins makes her West End debut in this contrived, cliché-ridden play.

Collins does well to soften the edges of a character who remains fundamentally irritating, even after we learn more about her.

The times

Classification:

It is certainly brave of the daughter of rock star Phil Collins to take the plunge into the West End. The problem is that, most of the time, her character, Irene, is so unbearably silly that you have a hard time seeing how anyone could bring her to life.

Sunday weather

Classification:

This one doesn’t quite add up, but there’s plenty to enjoy along the way. Collins returns to play a Midwesterner who breaks free from her home life on a trip to Europe. Once again, she handles the comedy, but this is dirtier territory.

i news

Classification:

Collins’ remarkable theatrical debut had audiences holding their breath in reverent concentration.

This is among the best 90 minutes of theater I’ve seen all year, and the applause at the end of the play went on so long that Collins began to look sheepishly embarrassed.

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