Felicity Jones stuns in a strapless pink dress as she joins co-star Joe Alwyn on the red carpet at the premiere of The Brutalist at the Venice Film Festival.

Felicity Jones and Joe Alwyn were among the stars promoting their new film The Brutalist on the Lido at the Venice Film Festival on Sunday afternoon.

The actress, 40, oozed Hollywood glamour in a strapless pink gown as she joined the actor, 33, at the premiere of the period drama.

Felicity wore her brunette hair slicked back in a sleek bun and added a touch of red lipstick and diamond earrings to complete her look.

Joe looked equally dapper in an all-black outfit, which included a suit paired with a shirt and tie, all in the same shade.

Earlier in the day, the duo led the star-studded arrivals at the film’s photocall.

Felicity looked demure as she hit the red carpet in a chic belted black and white dress, which she paired with strappy black heels.

Felicity’s backless gown was paired with minimal accessories and the movie star wore her brunette locks in a pretty low ponytail.

She was joined by fellow actor Joe, 33, who looked equally dapper in an all-black ensemble, consisting of a black shirt and suit with boots.

The Brutalist, directed by Brady Corbet, is one of 21 films competing for the festival’s prestigious Golden Lion award.

The Brutalist is a post-war epic about a Holocaust survivor trying to rebuild his life in America.

Director Brady Corbet told the festival: “The film is about the physical manifestation of 20th-century trauma. It is dedicated to the artists who failed to realise their vision.”

Inspired by Jean-Louis Cohen’s book Architecture in Uniform, the film starring Adrien Brody as a Hungarian architect will have its world premiere on Sunday.

Spanning decades, The Brutalist tells the story of László Tóth and his attempts to continue his art in post-war America.

Brady plays Tóth and Felicity plays his wife, Erzsébet. They live in poverty until a wealthy industrialist, Harrison Lee Van Buren (Guy Pearce), offers them a big contract. Joe and Alessandro Nivola also appear in the film.

Brady said it was a character and story that he felt an “immediate connection and understanding” with.

Her mother, photographer Sylvia Plachy, was a Hungarian immigrant who fled in 1956 during the anti-Soviet revolution to restart and try to build a life as an artist.

Brady said: “Even though it’s fiction, it feels very real to me and very true to life,” Brody said. “It’s very important to me to embody a character and make it real.”

Running 215 minutes (with a 15-minute intermission) and presented in 70mm, The Brutalist arrived in Venice with high expectations.

Wearing sunglasses, Brady grew emotional as he talked about the film, which he had been working on for seven years.

“This movie does everything we’ve been told we can’t do,” Corbet said, adding that talking about the film’s length is “nonsense.”

“I’ve read great novels, I’ve read great masterpieces in multiple volumes,” Corbet said.

“Maybe my next film will be about 45 minutes long, and I should allow myself that… As Harmony Korine once said, cinema is stuck in the birth canal. And I agree with him.”

In 2018, Corbet brought his controversial Vox Lux to Venice, in which Natalie Portman plays a pop star who witnessed a school shooting in her youth.

There he had previously premiered The Childhood of a Leader.

Brady wrote the script with his wife Mona Fastvold, who is also a filmmaker. Brady thanked the Venice Film Festival for its support.

“When no one else was supporting these films, this festival did,” he says. “It made my films possible.”