Julianne Moore, 63, looked decades younger than her in a glamorous cover shoot for AnOther magazine’s Spring/Summer 2024 issue.
Just days after wowing at the red carpet premiere of Mary & George in London in a navy blue velvet couture dress by Schiaparelli, the May/December actress does it again with this new couture collection.
She channeled different decades of Hollywood and fashion in the shoot, which was unveiled Thursday.
In the first image, Julianne holds her head and looks seductively into the camera.While wearing an Alaia leather dress.
In the second, he sports a feminine version of the men’s suits with a black and white striped top and pants with a black leather tie from Bottega Veneta, which he shows off in several snapshots.
Julianne Moore, 63, looked decades younger than her in a glamorous cover shoot for AnOther magazine’s Spring/Summer 2024 issue.
Just days after wowing at the Mary & George red carpet premiere in London in a Schiaparelli navy velvet couture dress, the May/December actress does it again with the new couture collection.
In the photo below, the Still Alice star has her signature red hair pinned back with a series of bobby pins and is still wearing the Alaia leather dress.
In the fourth photo, she exudes 1940s glamor and drama in an LBD dress by Courréges, tights by the revered brand Wolford, and white satin Mary Janes by Manolo Blahnik.
The photo below shows the Academy Award winner dressed in an oversized velvet jacket and pants with a camisole under the jacket, all from Bottega Veneta.
Another photo taken by photographer Craig McDean and styled by Katie Shillingford shows Julianne sitting on a couch looking dejectedly at her hand while wearing a velvet jacket with a large, pointed white collar and a men’s tie as a belt from Maison Margiela.
In a photo of Julianne wearing a long red dress with a slit down the leg by Valentino Couture, she stands against a blood-red background that evokes images of Stephen King’s 1996 horror film Carrie, starring Sissy Spacek in the lead role.
In a more whimsical photo, the star wears a Bottega Veneta jacket and a large Schiaparelli ring with an eye, which she playfully placed over her own eye.
In another photo, Julianne wears a wool gabardine jacket and an Alaia dress that could have come straight out of a detective agency in a film noir.
And finally, one photo is a close profile of the beauty with shadows falling on her face.
Her hair is styled in a Veronica Lake style and when she looks over her shoulder it’s not clear if she was the hunted or the hunter.
She channeled different decades of Hollywood and fashion in the shoot, which was unveiled Thursday.
In one photo, she oozes 1940s glamor and drama in an LBD dress by Courréges, tights by the revered brand Wolford, and white satin Mary Janes by Manolo Blahnik.
Another photo shows the Academy Award winner dressed in an oversized velvet jacket and pants with a camisole under the jacket, all from Bottega Veneta.
Another photo taken by photographer Craig McDean and styled by Katie Shillingford shows Julianne sitting on a couch looking dejectedly at her hand while wearing a velvet jacket with a large, pointed white collar and a men’s tie as a belt from Maison Margiela.
In a photo of Julianne wearing a long red dress with a slit down the leg by Valentino Couture, she stands against a blood-red background that evokes images of Stephen King’s 1996 horror film Carrie, starring Sissy Spacek in the lead role.
In a more whimsical photo, the star wears a Bottega Veneta jacket and a large Schiaparelli ring with an eye, which she playfully placed over her own eye.
In another photo, Julianne wears a wool gabardine jacket and an Alaia dress that could have come straight out of a detective agency in a film noir.
And finally, one photo is a close profile of the beauty with shadows falling on her face. Her hair is styled in a Veronica Lake style and when she looks over her shoulder it is not clear if she was the hunted or the hunter.
Julianne poses in Maison Margiela’s collared and belted jacket
In another moody session, shadow lines fall across the actress’s face.
In another image, the Big Lebowski star stares at a vintage lamp.
She landed the cover of the magazine’s Spring/Summer 2024 edition.
Julianne appears to be up to something in a Bottega Veneta top and pants.
Moore’s new series, Mary & George, is inspired by the true story of Mary Villiers, who molds her charismatic son, George, to seduce the King and achieve immense power.
From humble beginnings, the pair rise to wealth, titles, and great influence at the English court through intrigue and dangerous gameplay.
The stakes are high: England’s place on the world stage is threatened by a Spanish invasion and rioters take to the streets to denounce the new king.
Willing to stop at nothing and armed with ruthless political steel, Mary marries her way up the ranks, bribing politicians, colluding with criminals and working her way into the hearts of the establishment.