Home Entertainment The Best Actress looks UNRECOGNIZABLE with rotten teeth and a face tattoo in behind-the-scenes photos from her new Netflix show – but can you guess who she is?

The Best Actress looks UNRECOGNIZABLE with rotten teeth and a face tattoo in behind-the-scenes photos from her new Netflix show – but can you guess who she is?

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This high-profile British actress looked unrecognisable as she swapped glamorous gowns for rotting teeth and face tattoos on her Netflix show KAOS. Can you guess who she is?

The prominent British actress looked unrecognizable as she swapped glamorous gowns for rotting teeth and face tattoos on her Netflix show KAOS.

Taking to Instagram, the star shared behind-the-scenes snaps of her bizarre character as she stared into the camera sporting dramatic eye makeup and wild, tangled hair.

After finding fame as a teen pop star, this household name went into space for a sci-fi reboot before going on to play everything from a high-class prostitute to The Bride of Frankenstein.

She has written and directed her own film and also created a Sky series as a struggling former singer and actress, poking fun at her own personality.

But can you guess who it is?

This high-profile British actress looked unrecognisable as she swapped glamorous gowns for rotting teeth and face tattoos on her Netflix show KAOS. Can you guess who she is?

Taking to Instagram, the star shared behind-the-scenes snaps of her bizarre character as she stared into the camera sporting dramatic eye makeup and wild, tangled hair.

Taking to Instagram, the star shared behind-the-scenes snaps of her bizarre character as she stared into the camera sporting dramatic eye makeup and wild, tangled hair.

Of course, it's none other than Billie Piper who plays the Greek goddess Cassandra in the new Netflix series, which is a modern take on Greek mythology.

Photographed earlier this week

Of course, it’s none other than Billie Piper who plays the Greek goddess Cassandra in the new Netflix series, which is a modern take on Greek mythology.

Of course, it’s none other than Billie Piper who plays the Greek goddess Cassandra in the new Netflix series, which is a modern take on Greek mythology.

Billie shared a series of selfies on her Instagram and wrote: “The gods are crazy. Come and watch our show, now available on @netflixuk.”

The series, which also stars Jeff Goldblum, Janet McTeer and Suzy Eddie Izzard, has been hailed as “an absolute triumph” by critics after the “madcap” black comedy was released on Netflix on Thursday.

The eight-episode series from The End of the F***ing World creator Charlie Covell has left pundits impressed with its modern take on Greek mythology.

Starring Hollywood star Jeff as a power-hungry, tracksuit-clad Zeus, his “effortless” performance and “madcap charisma” have left viewers wanting more.

The show follows his character, who wakes up one day to see a wrinkle on his forehead and believes it is a sign that an ancient prophecy foretelling his downfall is coming true.

iNews He wonders why no one has cast Jeff Goldblum as the “king of the gods” until now because he fits the character “very well.”

Awarding the series four stars, TV editor Emily Baker notes: “A riot of colour and detail that could at times be mistaken for a Versace advert, this is a big-budget, no-nonsense journey through ancient Greek mythology – no classics degree required.”

The series, which also stars Jeff Goldblum, Janet McTeer and Suzy Eddie Izzard, has been hailed as

The series, which also stars Jeff Goldblum, Janet McTeer and Suzy Eddie Izzard, has been hailed as “an absolute triumph” by critics after the “madcap” black comedy was released on Netflix.

Billie shared a series of selfies on her Instagram looking very different than usual.

Billie shared a series of selfies on her Instagram looking very different than usual.

Billie was clearly having fun as she got into character.

Billie was clearly having fun as she got into character.

She captioned the post:

She captioned the post: “The gods are mad. Come and watch our show, now available on @netflixuk.”

In The standardIn her four-star review, Vicky Jessop writes: “This is surely the craziest show to come along in a long time.”

And he adds: ‘The show is an explosion of creativity that practically seeps off the screen, punctuated by sharp bursts of wit and pathos.

“The story is crazy, the energy is frenetic and the acting is off the charts. But it all comes together perfectly and the end result is a glorious burst of explosive energy. Just what you need to chase away the autumn blues.”

The Hollywood Reporter He praised the “impressive cast and cheeky tone” but said it shows “little investment in a substantial follow-up.”

They write: ‘The The series becomes an almost uninterrupted stream of interesting fragments, fused together by an overly aggressive soundtrack and intrusive Promethean voiceover in lieu of any real narrative.

In The Standard's four-star review, Vicky Jessop writes:

In The Standard’s four-star review, Vicky Jessop writes: “This is surely the craziest show they’ve put on for a long time.”

Starring Jeff as a power-hungry, tracksuit-clad Zeus, his performance

Starring Jeff as a power-hungry, tracksuit-clad Zeus, his “effortless” performance and “insane charisma” have left viewers wanting more.

The Hollywood Reporter praised the

The Hollywood Reporter praised the “impressive cast and bold tone” but said it shows “little investment in a substantial follow-up.”

“Every reading of a Goldblum verse is a little treasure, especially in the current political climate.”

The telegraph applauds the black comedy as a “rampant reboot of Greek myths.”

Jasper Rees notes: “It all looks splendidly expensive, even without many special effects. The musical palette also runs the gamut from Mozart to Bowie to Enya.

‘When Zeus takes the form of Jeff Goldblum we are clearly in the realm of neurotic comedy.’

In The Guardian‘s five-star review praises the series for being “witty, rigorous, hugely intelligent, funny and brutal.”

Lucy Mangan writes: ‘Funny, deep and moving – this fantasy series is an absolute triumph. Its story about Zeus and company living in the present day is clever, twisty and action-packed.

“It’s an absolute triumph, thanks to Covell and the gods.”

KAOS: What do the critics say?

The telegraph

Classification:

Jasper Rees praises the black comedy as a “rampant reboot of Greek myths.”

He adds: “It all looks splendidly expensive, even without many special effects. The musical palette also runs the gamut from Mozart to Bowie to Enya.”

The standard

Classification:

Vicky Jessop writes: “This is surely the craziest show to come along in a long time.”

And he adds: ‘The show is an explosion of creativity that practically seeps off the screen, punctuated by sharp bursts of wit and pathos.

“The story is crazy, the energy is frenetic and the acting is off the charts. But it all comes together perfectly and the end result is a glorious burst of explosive energy. Just what you need to chase away the autumn blues.”

The Guardian

Classification:

The publication describes the series as “witty, rigorous, enormously intelligent, funny and brutal.”

Lucy Mangan writes: “This fantasy series is an absolute triumph. Its story about Zeus and company living in the present day is clever, full of twists and action.”

online news

Classification:

Television editor Emily Baker notes: ‘A riot of colour and detail that could sometimes be mistaken for a Versace advert, this is a big-budget, no-nonsense trip through ancient Greek mythology – no classics degree required.’

Radio times

Classification:

Louise Griffin says it’s “hard to imagine anyone else in the role” of Zeus while praising Jeff Goldblum’s performance.

She continues: ‘With its stellar cast and surprisingly dark subject matter, Kaos brings something completely new to the table.

‘Drawing audiences headlong into its haunting, funny and engaging narrative, and bombarding us with a soundtrack worthy of the gods, KAOS sustains itself throughout its eight episodes, culminating in an epic and, once again, surprisingly dark finale.’

Financial time

Classification:

The publication says Jeff “brings his usual quirky charisma” to his “effortless” portrayal of Zeus, but adds that the series struggles to hold a story together.

IThey concluded: “Ultimately, Kaos is too plot-driven and diffuse to work as light entertainment, too contrived and meta to engage with sincerely. It may be an imaginative take on ancient tales, but it’s unlikely to go down in history as one of the classics.”

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