An audience member created a Welcome to Country address for a performance of Henry XIII drama Anna Bolena (photo) at the Sydney Opera House

& # 39; How dare they & # 39 ;: outrage about & # 39; racist & # 39; audience visitor who fascinated & # 39; during an Aboriginal Welcome to Country at the Sydney Opera House

  • Patron interrupted a ritual for the performance of Anna Bolena on Tuesday evening
  • Opera Australia said it & # 39; very disappointed & # 39; was by the customer's actions
  • Social media users were furious and shared stories about similar incidents

A member of the public created a Welcome to Country address for a performance at the Sydney Opera House, which led to outrage among theater visitors.

Fellow opera fans said the patron interrupted the ritual on stage for the Italian Henry XIII drama Anna Bolena on Tuesday night.

Opera Australia confirmed the incident and wrote on its Twitter that it was & # 39; really disappointed that this happened & # 39 ;.

An audience member created a Welcome to Country address for a performance of Henry XIII drama Anna Bolena (photo) at the Sydney Opera House

An audience member created a Welcome to Country address for a performance of Henry XIII drama Anna Bolena (photo) at the Sydney Opera House

Many events start with a Welcome to Country (stock shown) by a local elder or another Aboriginal representative, either with an address or a performance

Many events start with a Welcome to Country (stock shown) by a local elder or another Aboriginal representative, either with an address or a performance

Many events start with a Welcome to Country (stock shown) by a local elder or another Aboriginal representative, either with an address or a performance

& # 39; We support and acknowledge the importance of Welcome to Country, therefore it is made for our performances at the Sydney Opera House, & # 39; it said.

Australians usually responded with indignation and shame to social media and condemned the heckler as racist and sharing similar experiences.

& # 39; First I heard that this is happening at an art event anywhere. The audience of the opera is often vocal, but usually they choose the moment a bit better, & # 39; wrote the Australian art editor Ashleigh Wilson.

& # 39; Someone has (repeatedly) discussed the amazing Welcome to Country during the 16 Lovers Lane concert at the State Theater last year, & # 39; wrote an Opera fan.

& # 39; They were mowed down by the public. & # 39;

& # 39; I have come across this recently, albeit at a community event and not an opera performance; an intimate setting so the & # 39; objection & # 39; was impossible not to hear & # 39 ;, another wrote.

& # 39; It made me equal parts furiously and to my shame also speechless. How dare they? & # 39;

A third wrote: & # 39; I had a boy next to me who muttered (negatively) about it at a Melbourne Symphony Orchestra concert a few months ago. & # 39;

Opera Australia confirmed the incident and wrote on its Twitter that it was & # 39; really disappointed that this happened & # 39;

Opera Australia confirmed the incident and wrote on its Twitter that it was & # 39; really disappointed that this happened & # 39;

Opera Australia confirmed the incident and wrote on its Twitter that it was & # 39; really disappointed that this happened & # 39;

The inside of the Sydney Opera House theater (depicted as used for Bob Hawke's funeral) where the Welcome to Country was played

The inside of the Sydney Opera House theater (depicted as used for Bob Hawke's funeral) where the Welcome to Country was played

The inside of the Sydney Opera House theater (depicted as used for Bob Hawke's funeral) where the Welcome to Country was played

However, others argued that it showed people were fed up with & # 39; Welcome to Country & # 39; addresses & # 39; to invade into every aspect of our lives & # 39 ;.

& # 39; Is it really necessary at the Opera? Is it really necessary at primary school meetings and at council meetings? & # 39; one wrote.

Another claimed: & # 39; Frankly, I am not that surprised. I think a certain point has been magnified where good, conceivable gestures no longer have any weight. & # 39;

Many events start with a Welcome to Country by a local elder or another Aboriginal representative, with an address or a performance.

A recognition of the land can also be read by a non-indigenous person to note that the traditional owners of the land, which is the Gadigal people in Sydney.

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