This is a man who is clearly not in the right frame of mind to lead anyone, let alone a group of vulnerable people looking to rebuild the world. He has many secrets that are revealed as dominoes falling on each other, such as the fact that he keeps his zombified daughter in his house and cuts off the heads of his opponents, keeping them in jars like the freakiest serial killers.
When you take into account the governor’s twisted sense of morality and his fetish for preying on the remnants of the planet, both literally and figuratively, the man whose real name is Philip Blake is more dead inside than any walking corpse ever could. can be. His charisma and sharp tongue in front of an audience eerily reference some of the world’s most despicable dictators and presidents. Considering how easily Americans have been manipulated by their politicians in the past, it’s no wonder the people of Woodbury were so accommodating to the governor’s two-sided fabrications.
The idea of a community is something the governor certainly had the right idea about, as several other forms of permanent housing have been built in subsequent seasons of the show, from the Hilltop to Alexandria and now The Commonwealth’s super-community (also under headed by a governor). The concept that the community was a Trojan horse was also quickly imitated from Woodbury, as places like Terminus and Grady Memorial Hospital started out as shelters in seasons four and five, only to be quickly painted their proper black.
The governor helped set the precedent for many of the bad guys’ mentally depraved motives in later seasons of The living Dead. Discussing the psychological ailments of TV characters is always a bit of a perilous undertaking, as we all throw around couch therapists with terms we don’t quite understand. Is he a sociopath? Is he a psychopath? Does he have antisocial personality disorder? The discourse about diagnosing these people arguably started during Tony Soprano’s (James Gandolfini) meta-analysis during his sessions with Dr. Jennifer Melfi (Lorraine Bracco) in the critically acclaimed precursor to modern dramas, The Sopranos. Since then, TV writers have become more creative and daring in merging different kinds of evil to resemble some of history’s worst monsters.
The main antagonists at the start of the fifth season, Gareth (Andrew J. West) and his cannibals, continued to feed the story that all the villains in the show would somehow loosen a big screw. This legacy continued with Alpha (Samantha Morton) and the Whisperers, who infamously wrap themselves in the flesh of the dead. The governor almost single-handedly showed that many of the future villains in the series would do their harm by having a disgusting fascination with the human body, whether that means eating it, wearing it, or keeping it as a souvenir. No doctorate is required to diagnose these nutsos.
Creating the Shock Death
Maybe no scene in The living Dead is just as famous (or infamous) as the latter connecting the end of the sixth season finale with the beginning of the seventh season premiere. When Negan (Jeffrey Dean Morgan) finally appears on screen, he begins his introduction by wiping out the minds of beloved heroes Glenn Rhee (Steven Yeun) and Abraham Ford (Michael Cudlitz). It’s a shocking series of events that traumatized audiences forever, but it never would have happened if the governor hadn’t already performed an even more blatant act in one of the most enchanting episodes, the fourth mid-season finale “Too Far Gone.” .